Asher Brown Durand
1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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Asher Brown Durand Kindred Spirits oil painting


Kindred Spirits
mk218 1849 Oil on canvas 111.7x91.4cm
Painting ID::  51414
Asher Brown Durand
Kindred Spirits
mk218 1849 Oil on canvas 111.7x91.4cm
   
   
     

Asher Brown Durand Landscape oil painting


Landscape
mk218 1850 Oil on canvas 100.3x154.9cm
Painting ID::  51416
Asher Brown Durand
Landscape
mk218 1850 Oil on canvas 100.3x154.9cm
   
   
     

Asher Brown Durand Early Morning at Cold Spring oil painting


Early Morning at Cold Spring
mk218 1850 Oil on canvas 149.9x120cm
Painting ID::  51417
Asher Brown Durand
Early Morning at Cold Spring
mk218 1850 Oil on canvas 149.9x120cm
   
   
     

Asher Brown Durand Progress oil painting


Progress
mk218 1853 Oil on canvas 121.9x182.8cm
Painting ID::  51418
Asher Brown Durand
Progress
mk218 1853 Oil on canvas 121.9x182.8cm
   
   
     

Asher Brown Durand The First Harvest in the Wilderness oil painting


The First Harvest in the Wilderness
mk218 1855 Oil on canvas 80.3x122cm
Painting ID::  51419
Asher Brown Durand
The First Harvest in the Wilderness
mk218 1855 Oil on canvas 80.3x122cm
   
   
     

         15  16  17  18  19  20  21  22  23  24   
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     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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